DOLBY ATMOS AUDIO SERVICING ASSET SPECIFICATIONS
YOU MUST DELIVER TO UMG DOLBY ATMOS AUDIO SERVICING ASSET SPECIFICATIONS
FAILURE TO MEET THESE SPECIFICATIONS WILL RESULT IN ASSET REJECTION AND ADD SIGNIFICANT DELAYS, WHICH MAY CAUSE MISSED DEADLINES AND ADDITIONAL CHARGES
SUMMARY OF SPECIFICATIONS
| ATTRIBUTE | VALUE |
|---|---|
| File Container | ADM BWF |
| First Frame of Action (FFOA) | Prohibited |
| Duration | Matched to corresponding stereo asset |
| Frame Rate | 24 |
| Max Number of Channels | 128 |
| Bit Depth | 24 |
| Sample Rate | 48 kHz or 96 kHz* *When natively created in 96 kHz |
| 5.1 Downmix Mode | Direct Render |
| Binaural Metadata | Required (Not all “Off”) |
| Max Integrated Loudness | -18.0 LKFS |
| Max True Peak | -1.0 dBTP |
Additional Notes
- All deliverables SHALL conform to the Dolby Atmos Music Master Specification and the Dolby Atmos
Master ADM Profile. - If present, audio in the LFE channel of the deliverable SHALL be band limited using a low pass filter with
a cut off frequency of between 100 and 150 Hz. - The Integrated (Average) Loudness for a track SHOULD NOT fall below -31.0 LKFS, as measured by
BT.1770-4 loudness analysis run on a 5.1 downmix of the ADM BWF with 5.1 downmix mode and trim
controls set as they are in the final deliverable. - Empty object channels will be flagged for approval in QC reports as they may indicate certain audio
elements have been erroneously excluded from the mix. - Binaural metadata assignments that are entirely set to Mid will be flagged for approval in QC reports as
this condition may indicate the binaural presentation was neglected in the mixing process and simply
left at default values.
To see the full UMG Dolby Atmos audio specifications, click on the link below.